(BIS) 亞美尼亞狂想曲 Armenian Rhapsody CD1948 歷史價格(單位:新台幣)
(BIS) 亞美尼亞狂想曲 Armenian Rhapsody CD1948 描述
專輯類型: 1CD 發行年份: 2011 國際條碼: 7318590019481 音樂廠牌: BIS Alexander Chaushian cello 亞歷山大.喬西安 大提琴 Armenian Philharmonic Orchestra 亞美尼亞愛樂管弦樂團 Eduard Topchjan conductor 愛德華.托普施詹 指揮 "Excellently performed and beautifully recorded..." International Record Review; "The performances are excellent, with special praise due to the wonderfully expressive and full-throated playing of the soloist, Alexander Chaushian." Fanfare; "Der Cellist Alexander Chaushian ruckt Chatschaturjans virtuosen Elementen mit einer Souveranitat zu Leibe, die hochsten Respekt verdient." klassik-heute.de; "An unusual, sometimes challenging, and sometimes almost revelatory, disc" MusicWeb International Recorded in the Armenian capital of Jerevan, this disc offers a rare opportunity to sample music by Armenian composers, here represented by three works for cello and orchestra. Naturally Khachaturian is among the selected composers, with his impassioned and expansive Concerto-Rhapsody from 1963 as the disc's opening work. This is followed by Suren Zakarian's Monograph for cello and chamber orchestra, in which the solo part, in a discourse reminiscent of a stream-of-consciousness technique, gives voice to a conflicted soul. A Suite for cello and chamber orchestra by Zakarian's younger colleague, Vache Sharafyan follows. The composer's aim has been 'to create a sense of the perpetual cycle of life and history', with a Mattinata (morning song) for its opening movement, while the closing one is called Postero die ('the following day'). Sharafyan has also arranged the disc's epilogue, an atmospheric arrangement of the song Krunk (Crane) by the composer usually described as the founder of Armenian classical music: Komitas, or Soghomon Soghomonyan (1869–1935). In this version for trio the melody is "sung" by the cello with the piano reinforcing the mood. To this, the composer has added what he himself describes as 'an emotional echo', in the form of a duduk – the most Armenian of all instruments. The archaic sound of this double-reed woodwind instrument is often heard in film scores and here lends a wistful character to the closing moments of this Armenian Rhapsody. The UK-based Alexander Chaushian, cello soloist in all of these works, is Armenian by birth, and has secured the expert support of the Armenian Philharmonic Orchestra under their principal conductor Eduard Topchjan Aram Khachaturian Concerto-Rhapsody for cello and orchestra 25'52 01 I. Andante sostenuto e pesante 13'23 02 II. Allegro animato 9'29 03 III. Allegro vivace 3'00 04 Monograph for cello and chamber orchestra 17'16 Suite for Cello and Orchestra 22'16 05 I. Mattinata 6'25 06 II. Waltz 5'01 07 III. Sarabande-Courante 7'10 08 IV. Postero die (The Next Day) 3'40 Krunk (Crane) for duduk, cello and piano; based on a traditional folk melody 09 Krunk (Crane) for duduk, cello and piano; based on a traditional folk melody 5'25 Album total 71'56