(BIS) 蒙特克萊爾單聲清唱劇 Monteclair Cantates a voix seule CD1865 價格比較,價格查詢,歷史價格詳細信息

(BIS) 蒙特克萊爾單聲清唱劇 Monteclair Cantates a voix seule CD1865 價格比較,價格查詢,價格歷史信息

Name: (BIS) 蒙特克萊爾 單聲清唱劇 Monteclair Cantates a voix seule CD1865
SKU: 38304577-1974903549

(BIS) 蒙特克萊爾單聲清唱劇 Monteclair Cantates a voix seule CD1865 規格

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(BIS) 蒙特克萊爾單聲清唱劇 Monteclair Cantates a voix seule CD1865 歷史價格(單位:新台幣)

(BIS) 蒙特克萊爾單聲清唱劇 Monteclair Cantates a voix seule CD1865 描述

專輯類型： 1CD 發行年份： 2011 音樂廠牌： BIS 艾瑪.柯克比女高音倫敦巴洛克合奏團 An almost exact contemporary of Francois Couperin and only some 15 years older than Rameau, Michel Pignolet de Monteclair taught the children of the first-named and debated music theory with the latter. He is credited with introducing the new contrabass to the Paris opera orchestra of which he was a member, wrote a treatise on teaching, Petite methode pour apprendre la musique, and in 1721 opened a music shop. But he was also a composer working in all the genres current at the time, including that of the chamber cantata for one or two voices and strings. During his lifetime 24 such works were published in three different collections, dealing mainly with subjects from classical history or mythology. The texts are anonymous, the large majority being in French with four Italian ones, including La Morte di Lucretia, recorded here. One of the challenges for the composer in these mini-operas with their restricted instrumentation is to provide an effective backcloth for the action with the limited means at his disposal. Thus a violin in one cantata first imitates Diana's hunting horns, and then, by being fitted with a mute, Pan's newly cut pipe. The trumpets celebrating The Return of Peace are quite satisfactorily suggested by unison violins, and the shepherd's bagpipes are alluded to by two bass viols in Le Triomfe de la Constance. Emma Kirkby and London Baroque have previously demonstrated their grasp of the format, with recordings of solo cantatas by Handel that have met with great acclaim, for instance in BBC Music Magazine ('Emma Kirkby's virtuosity is splendid, but so is her characterisation... London Baroque lends admirable support… Outstanding') and in the German magazine Fono Forum ('Emma Kirkby performs the pieces with profound insights into human thought and emotions… and her interaction with London Baroque demonstrates in an impressive manner how a common musical understanding has matured and strengthened during years of collaboration.') Michel Pignolet de Monteclair Le Retour de la Paix 14'53 01 Vivement 1'47 02 Air. Tendrement 4'08 03 Legerement 1'49 04 Lent et detache 3'10 05 Leger et doux 1'07 06 [Recitatif] 1'07 07 Air des Trompettes 1'45 Pan et Syrinx 17'33 08 Recitatif 0'22 09 Air 2'15 10 Recitatif 0'36 11 Air. Lent et mesure 0'40 12 [Symphonie]. Modere 0'49 13 Recitatif 0'23 14 Air. Gai 2'10 15 Recitatif 2'08 16 Air. Lentement et tendrement 4'53 17 Air. Gai 3'17 Le Triomfe de la Constance 11'41 18 [Recitatif] 1'32 19 Tendrement et un peu de mouvement 2'22 20 [Recitatif] 0'30 21 Tendrement 3'14 22 [Recitatif] 1'43 23 [Air] 2'20 La Mort de Didon 12'08 24 Lent, marque et detache 2'38 25 Air. Lent 4'04 26 Recitatif 0'44 27 Vivement 1'55 28 [Recitatif] 1'27 29 Air 1'20 La Morte di Lucretia 12'18 30 Presto 0'16 31 Recitativo 0'33 32 Aria. Largo et affettuoso 3'38 33 Recitativo 0'53 34 Aria. Vivace – Adagio 3'05 35 Recitativo – Adagio 3'13 36 Recitativo 0'40 TT 70'11