(BIS) 布勞提岡貝多芬第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793 價格比較,價格查詢,歷史價格詳細信息

(BIS) 布勞提岡貝多芬第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793 價格比較,價格查詢,價格歷史信息

Name: (BIS) 布勞提岡 貝多芬 第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793
SKU: 38304577-1962649047

(BIS) 布勞提岡貝多芬第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793 規格

(BIS) 布勞提岡貝多芬第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793 最新價格

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(BIS) 布勞提岡貝多芬第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793 歷史價格(單位:新台幣)

(BIS) 布勞提岡貝多芬第五號鋼琴協奏曲及合唱幻想曲 Beethoven SACD1793 描述

羅納德．布勞提岡的貝多芬鋼琴協奏曲系列，終於來到最後一集，貝多芬專家巴瑞．庫伯在解說冊中提到第五號是貝多芬所有協奏曲中最具備至高榮耀特質的作品。歷來第五號協奏曲一直以皇帝協奏曲的名字廣為人知，無論是調性或是某種充滿氣勢和雍容華貴的氛圍，都與第三號交響曲「英雄」相去不遠。專輯還搭配另一首貝多芬寫給鋼琴、管弦樂團和合唱以及聲樂獨唱的迷人作品–合唱幻想曲。如此罕見的組合，是因為當時貝多芬在維也納舉辦自己作品的系列音樂會，為了讓其中一場能有適合結尾的曲目，於是動筆寫下此曲。這場音樂會於1808年12月22號演出，曲目包含第五和第六號交響曲、第四號鋼琴協奏曲以及Ｃ大調彌撒的兩個樂章，合唱幻想曲則讓所有當晚舞台上的演出者在音樂會結束之前，再次全部回到台上演出。羅納德．布勞提岡的許多專輯皆獲得好評，像是2010年MIDEM的古典大獎，他的演出堪與許多歷史名家相比。All Music.com 網站的評論就說他的第一號協奏曲有李希特的火花、波里尼的靈巧以及米開朗傑利的生動...第三號協奏曲甚至又更上一層。留聲機雜誌則說他的第二號協奏曲幾乎和塞爾金與奧曼第的組合相提並論。 For the final instalment of his survey of Beethoven's works for piano and orchestra, Ronald Brautigam has saved 'the final crowning glory of his concerto output', as Beethoven specialist Barry Cooper describes the Fifth Piano Concerto in his liner notes. The work has become known as the Emperor Concerto, as it shares its key (E flat major) as well as a certain sense of power and grandeur with the Third Symphony, the 'Eroica'. It is coupled on this disc with the Choral Fantasia - an intriguing work scored for piano, orchestra and chorus with vocal soloists. The explanation for this unusual combination is that Beethoven wanted to provide a fitting finale for one of his mammoth concerts in Vienna. The concert, which took place on 22 December 1808, included performances of the Fifth and Sixth Symphonies as well as the Fourth Piano Concerto and two movements from the Mass in C major; the Choral Fantasia thus brought all of the evening's performers on stage once more before the end of the concert. The individual discs in Ronald Brautigam's series have received numerous distinctions, including a MIDEM Classical Award in 2010, and his performances have been weighed against classic recordings by legendary pianists. 'Brautigam's account [of Concerto No. 1] compares with Richter's for sparkle, with Pollini's for cleverness, and with Michelangeli's for liveliness... The performance of Beethoven's Third Concerto that follows is even better', wrote the reviewer on website All Music.com, while the one in Gramophone deemed that the recording of the Second Concerto was 'almost as good as Serkin's account with Ormandy, which is saying something!' In the review in International Record Review of the penultimate volume, finally, the series so far was summed up as follows: 'For my money, Brautigam and Parrott are setting a new bench-mark, and I eagerly await the final instalment.' It is of course a great pleasure to be able to announce the release of that longed-for disc, with Ronald Brautigam, the Norrkoping Symphony Orchestra and Andrew Parrott in their usual top form, and with the brief but crucial appearance of the eminent Eric Ericson Chamber Choir in the Choral Fantasia. Ludwig van Beethoven Piano Concerto No.5 in E flat major, Op.73 'Emperor' 34'17 01 I. Allegro 18'18 02 II. Adagio un poco mosso 6'19 03 III. Rondo. Allegro 9'40 04 Choral Fantasia in C minor, Op.80 for piano, chorus and orchestra 17'26 Album total 52'38