荀伯格佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198 價格比較,價格查詢,歷史價格詳細信息

荀伯格佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198 價格比較,價格查詢,價格歷史信息

Name: 荀伯格 佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198
SKU: 38304577-6350425333

荀伯格佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198 規格

荀伯格佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198 最新價格

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荀伯格佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198 歷史價格(單位:新台幣)

荀伯格佩利亞與梅麗桑 Schoenberg Erwartung CHSA5198 描述

專輯類型： 1SACD 發行年份： 2020 國際條碼： 0095115519820 音樂廠牌： Chandos 荀伯格:歌劇(期待)/佩利亞與梅麗桑莎拉‧雅庫比亞克女高音愛德華.加德納指揮卑爾根愛樂管弦樂團 Written only six years apart, these two works share a common narrative of frustrated love, and the concept of the forest as a metaphor for the subconscious mind. Musically they are wildly different, however; Pelleas, which Schoenberg wrote in his late twenties, is the epitome of his late romantic style, indebted to Richard Strauss. Erwartung (his first work for the stage) was written after his conversion to atonality. Maurice Maeterlinck's play Pelleas et Melisande fired the imaginations of several of the greatest composers of the time. Debussy began writing his opera almost immediately after its publication in 1892, and within a decade or so Faure and Sibelius had created elaborate incidental scores for different stage productions of the play. Schoenberg composed his tone poem in 1902 – 03, for a large-scale (Straussian) orchestra. Schoenberg seems to have put himself into a state of free association to write Erwartung, which he completed in just seventeen days in August 1909. 'In Erwartung, the aim is to represent in slow motion everything that occurs during a single second of maximum spiritual excitement, stretching it out to half an hour', he wrote. Not only the first solo opera, this is perhaps also the first cinematic one. ARNOLD SCHOENBERG Pelleas und Melisande, Op.5 (1902-03) *37:01 1.Die ? ein wenig bewegt [A forest] - [Theme of destiny (bass clarinet)] -1:26 2.Ein wenig bewegter [Melisande (obe)] - [Golaud (horns)] - Heftig -2:07 3.Sehr warm, in breiter Bewegung [Theme of the ring] -2:43 4.Lebhaft [Pelleas (trumpet)] - Etwas zuruckhaltend - Wieder lebhaft -3:36 5.Sehr rasch [A fountain in the forest] - Wieder im ZeitmaB -3:11 6.Sehr langsam [A castle tower] - Nach und nach beschleunigen.2:06 7.Sehr langsam, gedehnt [The castle vaults] -2:36 8.Langsam [Pelleas and Melisande; Love scene and farewell] -2:48 9.Ein wenig bewegter - Etwas bewegter -2:35 10.Viel rascher, beschleunigend [Golaud kills Pelleas] -0:49 11.Sehr langsam [Melisande grieves] - Etwas langsamer -6:09 12.In gehender Bewegung [Melisande lies dying] -2:03 13.Breit [Golaud's despair] - Langsam - Nach und nach wieder ins Tempo4:46 Erwartung, Op.17 (1909) †30:23 14.Die Frau: 'Hier hinein?...' -2:49 15.Die Frau: 'Ist das noch der Weg?...' -2:58 16.Die Frau: 'Da kommt ein Licht!...' -1:49 17.Die Frau: 'Er ist auch nicht da...' -2:06 18.'Das Mondlicht...nein, dort...' -1:08 19.'Es ist noch da... Herrgott im Himmel...' -2:32 20.'Oh! es ist heller Tag...' -4:46 21.'Nein, das ist doch nicht möglich...' -1:42 22.'Du siehst wieder dort hin!...' -1:32 23.'Oh! nicht einmal die Gnade, mit dir sterben zu durfen...' -4:07 24.'Liebster, Liebster, der Morgen kommt!...'4:48 Total time: 67:12 Sara Jakubiak soprano Bergen Philharmonic Orchestra Edward Gardner