空氣孔朵娜希絲豎琴 Air music for harp flute and strings 80694 價格比較,價格查詢,歷史價格詳細信息

空氣孔朵娜希絲豎琴 Air music for harp flute and strings 80694 價格比較,價格查詢,價格歷史信息

Name: 空氣 孔朵娜希絲 豎琴 Air music for harp flute and strings 80694
SKU: 38304577-2311315573

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空氣孔朵娜希絲豎琴 Air music for harp flute and strings 80694 歷史價格(單位:新台幣)

空氣孔朵娜希絲豎琴 Air music for harp flute and strings 80694 描述

專輯類型： 1CD 發行年份： 2008 國際條碼： 0089408069420 音樂廠牌： Telarc 約蘭塔.孔朵娜希絲豎琴 In 1904, Debussy was commissioned by the instrument-making firm of Pleyel to create a work to showcase their new chromatic harp. The commission was to serve both as a test piece for students at the Brussels Conservatory and as a demonstration of their harp's potential to prospective buyers. The result was a matched pair of dances, one "sacred" and one "profane," for chromatic harp and string orchestra called Danses sacree et profane for Harp and String Orchestra. It should be noted that the standard harp used today is not Pleyel's designer Lyon's chromatic harp but rather Erard's double-action pedal harp. Takemitsu's And Then I Knew 'Twas Wind title is derived from a line of poetry by Emily Dickinson: "Like rain it sounded till it curved / And then I knew 'twas wind / It walked as wet as any wave / But swept as dry as sand." Takemitsu wrote that the work, composed in 1992, "has as its subject the signs of the wind in the natural world and of the soul, or unconscious mind (or we could even call it ‘dream'), which continues to blow, like the wind, invisibly, through human consciousness." This environmental theme continues through Takemitsu's other works on this album. Toward the Sea II is a short piece of pastoral music with three key notes taken from the word ‘SEA' (E-flat [i.e., ‘Es,' the conventional German designation for the pitch E-flat], E-natural, A-natural)." The titles of the work's three movements - The Night, Moby Dick and Cape Cod - imply programmatic associations, but the music, except for a slight animation in the second and third sections, is vague and equivocal, "more an expression of feeling than a painting," as Beethoven said of his "Pastoral" Symphony. If Toward the Sea is indeed an evocation of the New England shore, then it is not the New England of granite boulders and glinting sunlight and billowing sails running fast before the wind, but of first light and creeping mists and indistinct horizons, of undulant reflections in a tide pool, of distant buoy bells muffled by fog. The two solo flute pieces, one by each composer, are interspersed within the program. Takamitsu's Air is an introspective and unhurried piece. That lends its name to the title of the album. It is reminiscent of the French Impressionism heard in Debussy's Syrinx, about a nymph who was transformed into a reed to save her from the lusty pursuits of Pan, who then plucks that very reed and plays a song of longing for his loss of Syrinx. 1. Debussy: Danses sacree et profane 10:15 2. Takemitsu: And Then I Knew 'Twas Wind 12:25 3. Debussy: Syrinx 2:27 4. Takemitsu: Toward the Sea II: The Night 3:23 5. Takemitsu: Toward the Sea II: Moby Dick 3:50 6. Takemitsu: Toward the Sea II: Cape Cod 3:34 7. Takemitsu: Air 5:51 8. Debussy: Sonata for Flute, Viola and Harp: Pastorale 7:01 9. Debussy: Sonata for Flute, Viola and Harp: Interlude 5:45 10. Debussy: Sonata for Flute, Viola and Harp: Final 5:02