(BIS) 鈴木雅明 巴哈 清唱劇第38集 Suzuki Bach SACD1631 價格比較,價格查詢,價格歷史信息

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(BIS) 鈴木雅明 巴哈 清唱劇第38集 Suzuki Bach SACD1631 規格

(BIS) 鈴木雅明 巴哈 清唱劇第38集 Suzuki Bach SACD1631 最新價格

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專輯類型： 1SACD 發行年份： 2008 國際條碼： 7318599916316 音樂廠牌： BIS 鈴木雅明 指揮 日本巴哈合奏團 彼德.庫伊 男低音 蓋爾特.托克 男高音 卡洛琳.桑普森 女高音 The four cantatas on this recording come from 1726-1727, Bach's fourth year of service at the Thomaskirche in Leipzig. During this time Bach showed a preference for solo cantatas, entrusting the text to a single solo voice. Three of these cantatas are of this type, while the fourth (BWV58) is scored for two voices. We can only speculate as to Bach's reason for using this form of cantata: a shortage of choristers, perhaps, or the availability of especially gifted soloists. It's also possible that Bach was preparing himself, and the choir, for the St Matthew Passion, planned for the Easter of 1727. Bach may also have wished to achieve greater variation in his cantata repertoire, a suggestion supported by the fact that he now more often incorporated instrumental movements. One example is the opening sinfonia of BWV 52, based on a preliminary version of the first Brandenburg Concerto. While Volume 37 in this series focussed on the solo cantatas for alto, as performed by counter-tenor Robin Blaze, this one gives equal space to three other soloists familiar to followers of the series. Ich habe genung, one of the most well-known of all Bach's cantatas, is here performed in the original bass version by Peter Kooij, giving voice to the text's journey from weariness of life to the joyful longing for the hereafter in the lively final movement. Carolyn Sampson interprets BWV 52, in which the falseness of the world is contrasted with the steadfastness of God, and joins Kooij in the dialogue of the duet cantata BWV58. The third soloist, Gerd Turk, performs the remaining cantata for solo tenor, Ich armer Mensch, ich Sundenknecht – a mournful recognition of man's sinfulness and a plea for the mercy of God. The whole is accompanied by the eminent ensemble of Bach Collegium Japan, and infused by the vision of Masaaki Suzuki, as described on German website klassik.com: 'In Suzuki's recordings the listener encounters a Bach full of elan and vitality, completely removed from any overly intellectual, protestant-puritan theoreticians, but instead opposing such an approach. Equally impressive as the architecture of Bach's music is the liveliness and impulsiveness, not to say spontaneity, which it projects.' Johann Sebastian Bach 01-06 Falsche Welt, dir trau ich nicht, BWV52 14'16 07-11 Ich habe genung, BWV82 (bass version in C minor) 31'09 12-16 Ich armer Mensch, ich Sundenknecht, BWV55 14'22 17-21 Ach Gott, wie manches Herzeleid, BWV58 13'52 Album total 66'00

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