(BIS) 瑞典室內管弦樂團迪恩影子音樂 Brett Dean SACD2194 價格比較,價格查詢,歷史價格詳細信息

(BIS) 瑞典室內管弦樂團迪恩影子音樂 Brett Dean SACD2194 價格比較,價格查詢,價格歷史信息

Name: (BIS) 瑞典室內管弦樂團 迪恩 影子音樂 Brett Dean SACD2194
SKU: 38304577-1962649341

(BIS) 瑞典室內管弦樂團迪恩影子音樂 Brett Dean SACD2194 規格

(BIS) 瑞典室內管弦樂團迪恩影子音樂 Brett Dean SACD2194 最新價格

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(BIS) 瑞典室內管弦樂團迪恩影子音樂 Brett Dean SACD2194 歷史價格(單位:新台幣)

(BIS) 瑞典室內管弦樂團迪恩影子音樂 Brett Dean SACD2194 描述

專輯類型： 1SACD 發行年份： 2016 國際條碼： 7318599921945 音樂廠牌： BIS 迪恩指揮瑞典室內管弦樂團 Brett Dean and the Swedish Chamber Orchestra have enjoyed a close and fruitful collaboration for many years, with Dean appearing in the orchestra's concert pogrammes as composer as well as conductor. Now one of today's most performed composers of his generation, Dean often draws on literary, political or visual stimuli in his works. Examples of this are his award-winning violin concerto The Lost Art of Letter Writing (recorded on BIS-2016), inspired by four historic letters, as well as his appeal against environmental degradation, the Pastoral Symphony, which Dean conducts on a previous disc with the Swedish Chamber Orchestra (BIS-1576). On the present release, Shadow Music is, according to the composer himself, 'in no way consciously descriptive', but in its three movements can be heard realizations in sound of various concepts and definitions of the word shadow, such as 'dark shape or partial darkness', 'the shadow of his former self' and 'indistinct, suspect'. The work Short Stories is inspired not by specific texts, but of the literary genre which in a highly condensed form depicts the variety of life. The five brief pieces – the fourth and longest, Komarov's last words, has a duration of little over three minutes – carry titles which allow the listener to give his own imagination free rein. Testament has a more specific inspiration – Beethoven's famous 'Heiligenstadt Testament' in which the composer bemoans his encroaching deafness. Though an imaginative use of the orchestra, including unorthodox playing techniques, Dean simulates the sound of Beethoven's quill moving over the paper, but lets us also experience his aural hallucinations. The work is here preceded by Dean's arrangement of the Adagio from Beethoven's first Razumovsky quartet, composed some four years after the Heiligenstadt crisis. But the disc opens with Etüdenfest, a virtuosic, ironical play with mismatched snippets from standard string methods by such figures as Sevcík and Schradieck. In the work, Dean turns the monotonous and lonely grind of a practising musician into a vibrant shared experience – the étude turns festive. Brett Dean 1. Etüdenfest for strings and obbligato piano (2000) 10'30 Shadow Music for small orchestra (2002) 2. I. Prelude 2'24 3. II. Forgotten Garden 6'19 4. III. Voices and Shadows 7'31 Short stories, Five interludes for string orchestra (2005) 5. I. Devotional 2'38 6. II. Premonitions 1'48 7. III. Embers 2'11 8. IV. Komarov's Last Words 3'18 9. V. Arietta 1'54 Ludwig van Beethoven from String Quartet in F major, Op. 59 No. 1 10. Adagio molto e mesto (2013) 11'37 Brett Dean 11. Testament, Music for orchestra (2008) 13'56