(BIS) 愛奴柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962 價格比較,價格查詢,歷史價格詳細信息

(BIS) 愛奴柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962 價格比較,價格查詢,價格歷史信息

Name: (BIS) 愛奴 柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962
SKU: 38304577-1957540135

(BIS) 愛奴柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962 規格

(BIS) 愛奴柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962 最新價格

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(BIS) 愛奴柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962 歷史價格(單位:新台幣)

(BIS) 愛奴柯姆希的花腔藝術 Coloratura soprano showpieces SACD1962 描述

專輯類型： 1SACD 發行年份： 2012 國際條碼： 7318599919621 音樂廠牌： BIS 愛奴．柯姆希女高音薩卡利．歐拉莫指揮拉赫蒂交響樂團 Coloratura – the colouring of a note, a phrase, an entire aria with trills, ornaments, death-defying leaps and dynamic shadings of infinite variety. For more than two centuries, the art of coloratura was a central aspect of the vocal art, and especially of opera, developed largely by the castrato singers at first, and later by generations of star performers and their vocal coaches. In the mid-nineteenth century this great tradition was all but broken – neither Wagner nor Verdi were prepared to accommodate it in their different brands of music drama, and as both the opera houses and their orchestras grew larger, a different, heavier and more powerful style of singing was favoured. But the fascination and awe inspired by this almost supernatural phenomenon has never died, among audiences, singers or composers. Anu Komsi, Finland's 'coloratura assoluta', here presents a selection almost as wide-ranging as her own vocal technique, with mad scenes and rage arias from 18th- and 19th-century operas, Alyabyev's ever-soaring Nightingale and the silvery tinkling of Lakme's Bell Song. Later examples of the lengths a singer may be expected to go to are Gliere's glittering (and strikingly anachronistic) Concerto for coloratura and orchestra from 1943, and La Machine de l'etre by the composer John Zorn (b. 1953). Described by Zorn as a monodrama, this 11 minute-long work in three parts received its scenic premiere in 2011, by Anu Komsi at the New York City Opera. Throughout the programme, Anu Komsi is supported by the Lahti Symphony Orchestra conducted by Sakari Oramo, and in the closing work all involved find themselves on familiar ground in a thoroughly idiomatic performance of Sibelius' Luonnotar, with its text from the Finnish national epos Kalevala, and a vocal part which is among the most challenging in the literature Reinhold Gliere Concerto for coloratura soprano and orchestra in F minor, Op.82 (1943) 14'04 01 I. Andante 9'12 02 II. Allegro 4'52 Ambroise Thomas Scene et air d'Ophelie 03 Scene et air d'Ophelie [Ophelia's Mad Scene, from Hamlet, Act V] 12'21 Leo Delibes Air des clochettes 04 Air des clochettes [The Bell Song, from Lakme, Act II] 8'47 Alexander Alexandrovich Alyabiev 05 Solovei (The Nightingale) 5'13 Wolfgang Amadeus Mozart Der Holle Rache 06 Der Holle Rache [Aria of the Queen of the Night from Die Zauberflote, Act II] 3'06 John Zorn La Machine de l'etre – a monodrama 11'35 07 I. teteme 4'09 08 II. le revele 3'26 09 III. entremeles 4'00 Jean Sibelius 10 Luonnotar, Op.70 9'09 Album total 66'27