Architecture and Dystopia -9781945150944 歷史價格(單位:新台幣)
Architecture and Dystopia -9781945150944 描述
[注意] 1. 本店只販售全新正品,絕不賣仿冒品,請安心購買。 2. 下標前可以蝦皮聊聊是否商品有現貨。 3. 下單前請再次確認選購的商品款式,商品須保持全新,並於取貨後15天內提出。若經拆封、使用後導致商品缺乏完整性,恕不提供退貨服務。 [商品資訊] by Dario Donetti (Editor) 平裝: 296 頁 出版社: Actar (2019) 語言: 英語 ISBN-10: 1945150947 ISBN-13: 9781945150944 [商品內容] A homage to the 1973 publication of Architecture and Utopia by Manfredo Tafuri--echoed in the title--this book is devoted to the radical experiences of the 1960s and to their consequences for the most recent developments in contemporary architecture. As a response to the profound crisis of Western culture the emerged in the 1960s, radical artists from Italy, Austria, England and Japan called into question the foundations of modernist utopias. They transmuted the difficulties of capitalism into a repertory of startling images that revealed the disturbing realities of consumer society, even in those places still resistant to the penetration of modern architecture, such as Superstudio and Archizoom's Florence. Their model, though exhausted in the space of experimentation, went on to inspire a generation of architects, from the High Tech movement to Rem Koolhaas, who sought to employ the paradigm of dystopia as both a visionary and a constructive method, one which could operate on the architecture of late capitalism and generate unexpected possibilities for urban planning. In the light of these examples, how to define a unified "dystopian" method of design, i.e. a common ground for an architecture that, by its very nature, seems to resist systematization? Are the most recognizable architectural expressions of this theoretical framework--characterized by brazen displays of technology and structures of overwhelming scale--merely isolated cases, albeit of particular iconic power? Or do they belong to a wider landscape of antirational architectural projects? And to what extent are these disturbing expressions premised on the utopian tradition or, better yet, the conceptual model of "negative thought"? The goal of this book is to respond to such questions, thus initiating an open dialogue about the legitimacy of this critical category. With contributions by Dario Donetti, Marco De Michelis, Oliver Elser, Dominique Rouillard, Marco Biraghi, Marie Theres Stauffer, Maddalena Scimemi, Simon Sadler, Massimiliano Savorra, and Anthony Vidler