EVENT-CITIES 3: Concept Context Content -9780262701105 價格比較,價格查詢,歷史價格詳細信息

EVENT-CITIES 3: Concept Context Content -9780262701105 價格比較,價格查詢,價格歷史信息

Name: EVENT-CITIES 3: Concept Context Content -9780262701105
SKU: 153249570-2613590729

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EVENT-CITIES 3: Concept Context Content -9780262701105 歷史價格(單位:新台幣)

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[注意] 1. 本店只販售全新正品，絕不賣仿冒品，請安心購買。 2. 下標前可以蝦皮聊聊是否商品有現貨。 3. 下單前請再次確認選購的商品款式，商品須保持全新，並於取貨後15天內提出。若經拆封、使用後導致商品缺乏完整性，恕不提供退貨服務。 [商品資訊] 平裝: 640頁出版社: MIT Press (1 Mar. 2005) by Bernard Tschumi (Author) 語言: 英語 ISBN-10: 0262701103 ISBN-13: 978-0262701105 [商品內容] How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context-historical, geographical, cultural-or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings-but that the decision should always be strategic. Through documentation of recent projects-including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing-Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept-a simple and precise museum with the clarity of ancient Greek buildings-with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict-all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts. #MITPress #BernardTschumi